I am starting at a newspaper in Talas. A few lines about what these long pages were for.

In the Old City of Talas the moncho has stood for two centuries. Its attendant has never taken a bath there.

In Tash-Kömür, the coal town below Iyık Janyl, the first frost is announced by a smell. The men who deliver it say they never have a day off in winter.

A small town where the Talas leaves its valley, a mausoleum with a green dome, and an old man who has locked and unlocked its door every morning since 1971.

At Kyzyl-Senir, the church's wine ripens in clay jars buried in caves. The brothers who tend it say it is not a winery. It is a patience.

Every Sunday, before sunrise, six thousand animals and a few thousand men arrive in a town at the edge of the Fergana rim. By ten, it is over.

The village bus runs from the Talas bazaar to the last village before the hills. Two hours, forty stops, and a driver who knows every passenger's mother.

Murat Alibekov photographed the weddings of two generations of Talas. He will tell you which family is still angry about which photo.

Seven hours and a quarter from Talas to Nurzhan, in a carriage the age of its conductor, with a samovar that the whole carriage guards.

In the antimony-works settlement of Sary-Bulak, the house of culture keeps a museum of the people who built it. Its curator is eighty-one and she knows every face.

In every block of flats in Nurzhan someone keeps the heat on. A night with the stokers of a district boiler house.

On the road along the Toktogul reservoir, women stand all summer with strings of smoked fish hanging from long poles. They smell like a bonfire and they never go home hungry.

Four hours south of Talas, in a village at the edge of the Fergana rim, the plates for every plov in Irad are made by hand. The clay arrives on a donkey.

In the Kara-Buura district a Soviet house of culture still hosts a komuz ensemble every Thursday. Nobody has paid for the heating since 1998.

In the Iradi Telegraph Office in the Old City, Raisa Kuznetsova still takes down every word by hand. Fifty telegrams a day, most of them about weddings and funerals.
Coppersmiths' Row in the Old City used to ring from dawn to dusk. Now it rings on three afternoons a week, and one man is the reason.

In July the road to Iyık Janyl becomes a market. A day with the families who pick, sort and sell the apricots.

For forty years Bakyt Mamatov showed films to Talas. Then the films stopped coming, and he kept the projector oiled anyway.
